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Spoor & Anderson's Own Black Maria

by Beckett's Other Voices

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1.
the colour begins to move slowly around me at 360º it disappears from sight. now broken, it forms into a long silver crescent moon (actually a knife). it skewers me at 4:52, before dawn-- a single strike. a daughter, a demon, a noble, a knave; a butcher, a bitch, a seller, a slave... i do not remember the title they gave. the numbers lose all meaning; i can't stay awake. the cancer within begins debilitating me. i am exactly as i seem-- a backwards, illusory dream. i am a mind apart from my own mind. i am held in by no dimension. i grow bored with your manic pretension. i grow hungry and scared-- but no-one comes. i'm not a good martyr; i'm not a good friend. but i'll believe in my lost cause before i'll ever believe in yours-- which means i'll never believe in you. and i feel, i feel all i feel...
2.
Once In Vain 04:02
i do not hold back; i never let go. within change, without changing. unconfirmed infirmity; suspended expediation. i leave my trail over all nations. there's never a time that really exists in any fixed point of space, just for me-- and you, a dark unholy mere sentient being, under all. silence weakens my thoughts; renders asunder winter and its wonder. arrogant and asunder, no reason for wonder. once you're gone, you're gone all may be useless all may be useless all may be useless... you're gone; all is useless, all is...
3.
Sel 06:04
it's a bloody document it's legally fraudulent and...and with a stroke of a pen, it sells your soul. any new overtures are no longer yours (and no-one will listen to them, anyway)... spent a fair amount of money one the one who turned out to be a dunce. the word i use to describe his friends, and himself, rhymes with that last line i sang.
4.
it's not fair to say that you're alone in the dark i've always been here, you've just never seen me living off provisions of fear, you work to conceal a lazy eye through all the mixed media, you feel unforgiven; i can't do anything about the way that you feel. i turn around, i am caught in my spin i tune you out while it sucks you back in the vacuous cries, i've already heard there is no need to be so absurd. there's no bastard son if he's stillborn, yet the outcast mother is so forlorn. you can't tell in any language of the strength it takes to make death just a word.
5.
[instrumental]
6.
The Fiend 03:03
maybe, maybe i was wrong; i don't know but to me all the boys are so stupid-- and the girls ain't much better, so i go it alone. the road rises to meet me more than you did. and through superfission i feel strong, the truth of the matter is, i just don't belong. i was broken, but honest, at least until now; i've never been left for better, but i don't know which is worse. i may love my religion, but i'll never bend down; why look for a second coming when there was never a first? you should believe me; my name ain't Ruby for nothing. you could perceive me, even during my best-feigned regard. it's hard to see stars without looking although they are there, but there are some burned deep down into my head. i don't expect or protect or regret or receive; i don't follow or recoil or reign or deceive. i don't suffer or worry, or even believe your story of descendence from Adam & Eve. i don't suffer or worry, or even believe your story of descendence.
7.
if it was worth the wait to be troubled so far, and for so long, well then i'll be damned. there's no way in hell that i'd do it again and no chance for a change in regrets. i would kill myself, but it wouldn't be fair. the immediacy of where i am, leaves. i can never go where the walls aren't left standing, i can never face he who receiveth grace. i don't rely on fate to cure me of the hate that i feel--that i feel when i notice the world. when i notice, when i notice the world. there's always more than meets the eye, and deviance abounds. oft it is there seems to be a rampant disease on sacred grounds. whether middle-class or living, you're still devoid of spark, yet your eye never adjusts to the dark. i know from your voice where you've been--but not who you are. i never go where the walls have fallen i can never face anyone who says that the race is done i don't rely on fate to paint reality for me, it's what i feel, it's how i feel when i notice the world. when i notice the world--what i've noticed, what i've noticed.
8.
left-handed anarchy, in a way, pools on the floor like soaking water leaking underneath the door the stream of consciousness may at times overflow so like a drowned-out martyr you sink to equal depths below and it won't seem right, but tonight, i'm sentimental the heat gets to me in a way i'd rather deny like with your love, i've no peace of mind your thinking the phantasmagorical fiction in your eyes, it just wouldn't seem right overstayed, overlooked monarchy settles in the dust of ancient past and resurrection promised but later refused is forgotten news fading fast like a reflection in the window, a mottled look, a tinted hue fleeting fortunes in secret strewn beneath a secret cellar roughly hewn it may not seem right, but tonight, it's a kind of miracle of untold destruction, restless change your unseen light and violet skies and endless reverence of night, each star falls and impales me, burning out it may not seem right in your violent mind to stand in unseen light, aligned to what you can't relate to i may not seem right, but i'll assure you as i assure myself that it's all i have to give you and i must be right as i lay on the ground and wait for the stars to fall and pierce me burning, rending me to cinders and burning out rending me to cinders and burning, burning, burning out

about

A former project of Isadora Zidore, collaborating with Rich Fessler on bass (Bear Claw, Life on Mercury, Jackhammer Hearts).

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released January 12, 2020

written by Isadora Zidore
Isadora Zidore: guitars, vocals & piano
Rich Fessler: bass; electric drone on Once In Vain
recorded by Steve Albini at Electrical Audio (Studio B), Chicago, IL, 07/08 July 2003; mixed 10 Feb and 11 April 2005 by Steve and Isadora.
copyright 2020 by Don't Copy Me Wilhelm Music (ASCAP)

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Isadora Zidore

Ambient vocal music informed by 20th-c modern classical and traditional Micronesian navigation by the stars.

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